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Jan Filek Read/ability
200 pages, 18.6 × 24.4 cm, Softcover, German
Unser Gehirn vollbringt Unglaubliches, wenn wir Geschriebenes lesen. Diese Form der Kommunikation ist nicht über die Evolution entstanden – Lesen ist eine kulturelle Erfindung. Was passiert also, während wir lesen? Wie müssen die Zeichen beschaffen sein, damit wir sie erkennen? Ist Lesbarkeit überhaupt messbar? Dieses Buch bietet Designern einen Überblick über die neuesten Erkenntnisse aus Neurowissenschaften und Lesbarkeitsforschung sowie die Empfehlungen von Typografen und Schriftgestaltern. Durch die Kombination dieser Ergebnisse sollen weitergetragene Legenden bereinigt und Designern ein tieferes Verständnis für den Leseprozess vermittelt werden.

CHF 48.00  

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Slanted 22 – Art Type
320 pages, 16 x 24 cm, paperback, German/English
Slanted Art Type brings together texts and works from the art world. The magazine presents a large number of art works and installation shots that explore language and typography by internationally renowned artists. It features a Q/A section with design studios developing visual identities in the field of culture production and numerous essays and interviews focussing on art, design and type.

CHF 25.00  

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Type Navigator
320 pages, 24 × 30 cm, full color, hardcover, English
incl. CD-ROM with 100 typefaces
The rapidly expanding online market for digital typefaces is exciting and diverse. With new fonts and type foundries launching on an almost daily basis, it has been difficult to keep track of notable developments—until now. Type Navigator is a useful current handbook of modern fonts, independent foundries, and innovative type designers that provides an overview of today’s vast market. This comprehensive publication offers a valuable overview of international sources for quality fonts. In addition to concise profiles of type foundries and recent typefaces, Type Navigator features inspirational visual examples of fonts in use. A free digital collection of 100 typeface variations from 20 choice foundries accompanies the 320-page book.

CHF 58.00  

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Max Bill: Typography. Advertising. Book Design
304 pages, 22.6 x 27.8 cm, cloth binding with jacket, English/German
The book at hand offers a comprehensive view into an area of work from Max Bill that has so far received little attention: typography, advertising and book design. One discovers Max Bill as the tireless creator of highly individual types and commercial logos as well as a designer with a sense of visual humor – not exactly a common aspect of constructive design in this country.
Bill pursued two opposing principles and accordingly left behind two lines in his work: a graphic one and a sculptural one. Taking Herbert Bayer’s universal type as a point of departure, Bill developed two lettering schemes for the Neubühl housing development and the firm “wohnbedarf”, which departed from all then-known forms. The reason for the stretched “o” in “wohnbedarf” may well have been grounded on how one perceives the text from the side; yet, behind this understanding lie formal ideas and the reductionist concept of the Bauhaus.
With texts by Gerd Fleischmann, Hans Rudolf Bosshard and Christoph Bignens.

CHF 148.00  

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Willi Kunz: Formation and Transformation
160 pages, 21.6 x 27.4 cm, cloth binding with jacket, English
Typographic design begins with a set of information and a concept. The designer, facing a blank sheet of paper or a computer screen, is anxious about the first step to take in developing a design. The elements of typography are an obvious starting point, but often do not get the attention they deserve. A thorough understanding of how letters, words, lines, paragraphs and columns are formed, what makes them unique as design elements, and how they express character and emotion are the most essential tools in the designer’s repertoire. 
The basic principles of typographic design transform the utilitarian quality of words, lines, paragraphs and columns into an aesthetic form that conveys both the intellectual meaning and emotional feeling of the message. Through the relationship between the elements and space, and their rhythm and composition, design not only objectively conveys information but also gives subjective cues for the interpretation of its contents. 
As a visual form of language, typography is perceived as a whole before its individual parts are read. The surface characteristics of the design – the topology – create the first impression and derive from the form, size, position, and color of the typographic elements. Captured in a series of transparent diagrams, they reveal a new design dimension and animate the designer to further develop the original conceptual idea. This process provides the designer with a tool for refining, altering, adjusting, deconstructing and reassembling the individual levels to create a finely detailed, cohesive typographic composition.

CHF 88.00  

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Guide du typographe (édition reliée)
260 pages / 15.5 x 23.5 cm
Règles et grammaires typographiques pour la préparation, la saisie et la correction des textes. Sixième édition.

CHF 65.00  

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Guide du typographe (édition brochée)
260 pages / 15.5 x 23.5 cm
Règles et grammaires typographiques pour la préparation, la saisie et la correction des textes. Sixième édition.

CHF 55.00  

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